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Cover painting for KAGEMONO#2: In progress
[info]jasonfranks

KAGEMONO #2 is about to drop, just in time for Armageddon (fingers crossed). I'm trying to beat the rush this time and get the cover done before I have all the interiors in hand (the interiors are done, I'm just awaiting delivery of the files from a couple of artists).

Last time I did an acrylic painting for the cover, and I wasn't really happy with the results... but I had forgotten how much I enjoy painting. I'm a better painter than I am a draftsman, I think.

Also, I want the books to look similar, so I can't go back to plan A and reuse the lineart I developed for the first issue with some computer colouring. In the end, all I could come up with was a scene using the monstery guy from #1. came up with an idea using the monstery dude from #1.

Anyway, here we go. First, the initial concept  sketch:



Now the in-progress painting. At this point I have all of the shapes and colours blocked out, but I'm still working the textures and lighting--most of the white and black lines will be painted or washed over as I smooth it all out. Not sure exactly where the art will be cropped--originally it was going to be a couple of centimeters fromt he bottom of panel, which is why the hand is truncated. I'll probably stick to that, but the possibilty remains that I will have to add extra centimeter of art in photoshop.




The painting will be sandwiched between two black slabs, same as the prior issue. I will probably have KAGEMONO written in kanji somewhere on the bottom right of the artwork.

Any feedback?

-- JF




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Do you have reference for any of these elements?


No.

It shows, doesn't it?

-- JF

as we said at my alma mater - Vive Reference! Cheesy, I know.

I would recommend it for something like this with all these lighting effects. It can really make a difference.There's been panels I've drawn, and I think they're ok. I've been taking pictures of someone, usually myself, in the pose to see if it's right and it's been helping. Not that I'm now dependent on photos for everything. Sometimes it makes a difference, especially with tricky lighting.


Thanks, man.

I was originally going to put in a street lamp, but that made it way too tricky. Lighting is a big weakness of mine.

I think the lighting on the figure is alright; I just haven't worked out what else is happening in this scene. For now I'm just trying to define the shapes--then I'll attempt to spot the highlights and wash the lighting and textures over the top. I haven't painted an actual scene like this in... shit, at least ten years, and the last time I gave up in disgust...

I really don't like doing covers, but I'm afraid to ask for help on such short notice. The book needs to go to print in a week or two. (I was surprised, I really didn't think it would come together so suddenly, and right before Armageddon)

-- JF


Why did you take his claw away? :)


Cuz he looked like a lobster-man?

Thought it was creepier if you couldn't see his hands.

I could still put it back...

-- JF

LIGHTING...

(Anonymous)

2008-09-22 11:11 pm (UTC)

Nights scenes are relatively easy to think about compared to daytime/sunset... just pick a light source-side (ie. lighting from left) - then every object on the page has a stark black shadow on its right.

A good reference is old horror comics.
They do it REALLY well.

Had no idea you were running this close to the wire on your deadline to Armaggeddon... you should have asked me to do a cover for you Jase... or someone who's style works with the stories in the book. We're all a friendly lot - :)

-B.

oh, the above post was me btw... (Bobby.N)

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