May 10th, 2011

Hard

Moratorium

Folks,

I've been watching a bunch of horror movies lately and I think it's time to call a moratorium on certain tropes. Most horror films (and books and TV shows)  made over the last forty years employ at least one, and usually several of the following set pieces, and now they just make me groan.  

1/ The Cat Scare
You know the scene, which I think was probably invented by Ridley Scott in ALIEN. A character is alone and some dim environment. They're scared, they know the monster is close. They're searching, searching, the music builds... suddenly, a screech and, probably, a jump cut! Aaaagh!

No, wait, sorry,no monster--it was only a surprised cat. See, now, Ridley Scott made Jonesy the cat a character (he even has a name) and the scare was actually a payoff, and was paid of again  later in the film. Every fuckin' movie since then? Well, they just have a random startled cat. Even though there's no setup, by this point you can see it coming from a mile away. I admit, I did once in real life happen get startled--and scratched--by a stray cat while alone in a dark place at night, but I assure you that my judgement has been in no way biased by the incident.

2/ The Bathroom Mirror
The protagonist is performing his or her ablutions in the bathroom--probably shaving, but maybe just looking searchingly into their own eyes. A tap is dripping. The music swells. Something isn't right. Perhaps their very sanity is slipping away... much like my attention.

This one has been done to death in dozens of different ways. Something appears in the mirror behind the hero, who turns away just in time to miss it. Something appears behind the hero that DOESN'T cast a reflection. The mirror cracks. The reflection is distorted. The reflection speaks--usually in a standard-issue demon-growl. Something comes out of the mirror. Something goes into the mirror. Yawn.
 
3/ The Crotchety Old Timer
This one goes all the way back to Bram Stoker's DRACULA. A supersititious old local--invariably male--warns the protagonists, but do they heed him? No! He's just a senile old fool. Sometimes this character will also turn out to be a wizard or a guardian--because he's old, liek all wizards outside of Harry Potter. In a small town, this character is usually an old mariner. If the film is set in an urban environment, look for a creepy janitor.
 
4/ The Magic Negro
This trope at least goes back to Stephen King's novel, THE SHINING. There's this old negro, right? A nice and unthreatening guy who is probably a (non-creepy) janitor or a gardener or has some other menial job that is ripe with metaphor. This character will also have, like, has Magical Negro Powers... because, well, because he's an old negro and they often do, right? The Magic Negro has an idea that something is going wrong and will always wind up sacrificing his life to so that the white people (or at least their innocent  children) can live.
 
5/ The Power of Love
This has been on endless repeat since the sixties, but, after Ghostbusters (and its sequel) demonstrated this trope in terms of city-drenching explosions of sticky, viscous fluid, one might have hoped that filmmakers and writers would be embarrassed to continue to exercise it in public. But no, we see it over and over, and every time it's supposed to be this huge revelation, the Ultimate Secret. Jism explosions are great for selling porn movies. Horror? Not so much.
 
6/ Superhero Monster Fight! 
The monster is evil and vicious and supernatural, as monsters tend to be... how can you fight it? Well, an increasing number of movies have taken the power-up option. Give the hero powers of his own, and let him go at it with the monster, WWE style. Uh, no. when the hero is physically more powerful than the monster (often because he's pumped full of Love Juice, see 5 above) the viewer's sense of jeopardy goes out the window and we're no longer watching a horror film, we're watching dues in costumes wrassling. It's not the WWE, folks. 
 
Also under consideration for moratorium: the Dripping Pipes, the Thump on the Car Roof, and the Fake POV shot.
 
-- JF

 
Hard

A MIND OF LOVE by Bruce Mutard

 
I've spoken before about Bruce Mutard's work, THE SACRIFICE and THE SILENCE. Bruce is, without question, one of Australia's most important creators of original, literary graphic fiction.


Bruce started out in comics by self-publishing  the indie series STREET SMELL, which included the start of a serialized graphic novel called LOVE TO KNOW YOU. Although Bruce has moved on to bigger and better things since then, he has periodically returned to this story and now, thanks to Black House Comics, it's complete and available, with the earlier chapters remastered. Now titled A MIND OF LOVE, this is not just a compelling story but it's also a document if Bruce's development from a highly talented amateur to a top flight professional. 


I'd say more about it, but I already wrote the introduction for the book, and I can find no better way of praising it than that.

We launched this book at the Big Arse launch back in February and it outsold every other book we had for sale. I have been waiting ever since for it to appear for sale online before writing this post, and now it's here! A beautiful package and an absolute steal at $20.00 AUD from Blackboox.net.
 
http://www.blackboox.net/products/A-Mind-of-Love.html

-- JF
Hard

My Pretty Rose Tree

 
Luke Pickett has posted a piece that we did for KAGEMONO: FLOWERS AND SKULLS on his website. This version, unlike the one in Kagemono, is in full colour.

Based, obviously, on the William Blake poem.  Luke's posting quickly drew attention from some of the lovely Blake-a-holics. you can view the story here. Check it out, it's free and all, and Blake is Great Literature.

http://www.lukepickett.com.au/2011/04/my-pretty-rose-tree-%E2%80%93-written-by-jason-franks-%E2%80%93-adapted-from-william-blake/
This is not the first time I've sourced Blake in my work--his writing and his art have both been huge inspirations to me since I was in high school. Sixsmiths readers will observe that the graphic novel closes with a quote from Blake's Satanic Proverbs.

-- JF